Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater's potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice - what the author calls ecodramaturgy - showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater's potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice - what the author calls ecodramaturgy - showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

The Norton Introduction to Literature offers the trusted writing and reading guidance students need, along with an exciting mix of the stories, poems and plays instructors want. The Shorter Fourteenth Edition is the most inclusive ever, with more contemporary and timely works sure to engage today's students. New media-rich pedagogical tools further foster close reading and careful writing, making this book the best choice for helping all students understand, analyse and write about literature.

His mother was against it, but he grew up to be a cowboy anyway. Zane Grey was a corn-fed mid-westerner who ended up an unhappy dentist in New York City. After a journey to Arizona and Utah in 1907, he decided he would rather wear chaps and a Stetson rather than return to a mundane life pulling teeth in Manhattan. Thus began his career as a writer. Zane Grey faced mountains of rejection and disappointment in publishing his early novels, but when Riders of the Purple Sage was published in 1912, and it set in motion the entire western genre in books, movies, and eventually country western music. It was and remains an epic, colorful novel, filled with action, romance, and vivid descriptions of the Old West. Drawing on his letter, diaries, and personal papers, the story of his growth as a writer and of the creation of this book is a rag to riches saga sure to appeal to writers of any age, history buffs, motion picture fans, and lovers of music. Plus, it is a story set against the grandeur and sublimity of the American west.

This is a succinct guide to the application and modelling of dependence models or copulas in the financial markets. First applied to credit risk modelling, copulas are now widely used across a range of derivatives transactions, asset pricing techniques and risk models and are a core part of the financial engineer's toolkit.

James A. Michener was one of the most beloved storytellers of our time, captivating readers with sweeping historical plots that educated and entertained. In this first full-length biography of the private as well as the public Michener, Stephen J. May reveals how an aspiring writer became a best-selling novelist. It is the only book to draw on Michener's complete papers as well as interviews with his friends and associates. The result conveys much about Michener never before revealed in print.

May follows the young Michener from an impoverished Pennsylvania childhood to the wartime Pacific, where he found inspiration for "Tales of the South Pacific," a book that led to a string of best sellers, including "The Source, Centennial, Chesapeake, " and "The Covenant." May provides insights into Michener's personal life: his three marriages, his unique working methods, and his social and political views. He also reveals the author's hypersensitivity to criticism, his egotism, and his failure on some occasions to acknowledge the contributions of his assistants.

Examining Michener's body of writing in its biographical and cultural contexts, May describes the creation of each novel and assesses the book's strengths and shortcomings. His close readings underscore Michener's innovativeness in presenting mountains of historical and cultural research in an engaging literary form.

This probing biography establishes Michener's place in twentieth-century letters as it offers an unprecedented view of the man behind the typewriter.